Monday, 2 June 2014

DWAS Myth Makers convention -
the Fourth Doctor connection

This weekend I had a great day out today at the Riverside Studios in Hammersmith.

The studios are part of the history and folklore of Doctor Who, having been where The Daleks invaded Earth in 1964, and a couple of years later where William Hartnell regenerated into Patrick Troughton.

In fact the iconic scene of Dalek emerging from the Thames was filmed only yards from the studios, by Hammersmith Bridge!

Sadly the studios, currently used for Weekend Kitchen, are due to be demolished later this year, leaving only a fraction of the site still standing.

The event was organised by DWAS - The Doctor Who Appreciation Society - and was a lot more low key compared to a majority of the glossy events that are staged these days.

Don’t get me wrong - I PREFERRED this to the glossy events as it was a lot more intimate, you you got see every part of the days events and damn it, they kept to their published timetable.

The spin on the day was the production side and how the behind the scenes events shaped what we saw on screen, with a heavy bias towards the classic rather than new series.

We kicked off with a one-on-one interview with Philip Hinchcliffe, who produced the first three years of Tom Baker’s era.

PHILIP HINCHCLIFFE interview
Philip’s interview was very insightful and interesting, as he had taken over from Barry Letts to launch the Tom Baker era. Much of his first season had already been planned out for him, with the inclusion of crowd pleasing foes such as Sontarans, Cybermen and of course the Daleks.


It wasn’t until his second season was Philip able to set his own agenda and create some of the most memorable adventures of the Fourth Doctor’s early era.
He made a conscious effort NOT to plunder the back catalogue and use all new adversaries, to the extent that a planned return of The Master in what became The Talons Of Weng Chiang was vetoed.


At the end of the interview, DWAS presented Philip with a well deserved award for his contribution to the development of Doctor Who.
DERRICK SHERWIN and
TERRANCE DICKS interview

Next we had a double act in the form of Derrick Sherwin and Terrance Dicks, who had been consecutive script editors spanning the latter days of Patrick Troughton and the whole of the Jon Pertwee eras. Terrance also wrote for the Tom baker era too.


They were like two grumpy old men, contradicting each other on their stories and putting down each other’s involvement. It was all done in good spirt made for an entertaining talk.

What emerged the strongest was the creation of UNIT and how it was a long-term plan to help trim the budget.

Intended to appear first in The Invasion, UNIT were retrospectively added to The Web Of Fear. Their invention was specifically intended to act as a foil for The Doctor and to reduce his lines and scenes to make it less of a burden for the lead actor.

Like Philip, Terrance and Derrick were presented with awards for their contribution to the production of Doctor Who.

We then had a break to get the first of the autographs and photo opportunities.

I took along a River Song diary I now use for autographs, and found that there was 'no limit' on the number of items you could get signed, so long as it was within reason.

So I got Philip as well as visual effects expert Mike Tucker, composer Dominic Glynn, and script editor Andrew Cartmel.

I also grabbed a quick - and it was quick - photo op with firstly Graeme Harper, then with Terrance and Derrick together.

There was minimal queuing; the photo was printed in the time it took to pay for it; and they had emailed the digital copy I asked for within minutes (and it was the photo of me, not someone else!). The photo was frankly better quality than at many glossy events, including the official 50th celebration.

It was then back into the viewing theatre for the next one-on-one interview, with director Graeme Harper.

GRAEME HARPER interview
Graeme gave an absorbing interview about his time not only on the classic series, directing Peter Davision in Caves Of Androzani and Colin Baker in Revelation Of The Daleks, but also working on the new series where is helmed the return of the Cybermen in series two.

Since Graeme was only involved with the Fifth and Sixth Doctor eras, you can read more about his interview here:
The Sixth Doctor Connection
MIKE TUCKER interview
Next up was special effects guru Mike Tucker, who is one of a select few who has worked on both the classic and new series.

Since Mike was principally involved with the Seventh Doctor era, you can read more about his interview here:
The Seventh Doctor Connection

Then it was time for another break, during which I got Terrance’s autograph on my photo with him; as well as Graeme's on his photo with me and in my River Song diary.

I also had the chance to get a new photo with Colin Baker, who admired my Matt Smith costume.

Colin seems to know me pretty well now, as he pipped up, “Here comes the tailor!” when I stepped up for the shot.

Back in the viewing theatre we were treated to a double act of Dominic Glynn and Andrew Cartmel who sparked well off each other.

DOMINIC GLYNN and 
ANDREW CARTMEL interview
Both had been relatively young when they worked on Doctor Who, and they had similar stories of unsolicited approaches to JNT to get their jobs.

Dominic and Andrew were not involved with Doctor Who until the 1980s, so you can read their interview here:
The Seventh Doctor Connection
The final interview of the day was with Colin Baker, who was on good form.

COLIN BAKER interview
He talked at length about his pre and post Doctor Who fame and looked back on his time with sometimes mixed emotions.

You can read about Colin’s interview here:
The Sixth Doctor Connection

With the main programme over, it just remained to get Nicholas Briggs to scribble in my River Song diary and for Colin to sign the photo I had with him, as well as two shots from meeting him in LA earlier this year at Gallifrey One.

This was the first DWAS event I have actually been to, and I must say it was very well planned and executed.

Tuesday, 13 May 2014

RARE 1970’s dressing up costume on eBay

We all have the impression that dressing up and cosplay is a relatively new thing in the world of Doctor Who, but an item on eBay shows it goes back a bit further than you’d think.

1970’s Berwick 4th Doctor
super hero boxed costume
UNSOLD FOR £275 (best offer accepted)




Up for auction is a boxed Berwick Doctor Who 4th Dr dress up costume which is in excellent unused condition with a very small minor crack to the mask, the box is in great shape for its age with damage to the plastic which has been repaired with sellotape.

The dressing up playsuit dates from 1976, and I gather was discontinued the following year. During that time barely 300 sets were sold, making this a bit of a rarity.

The thing that particularly catches my eye is the tunic, which bears an uncanny resemblance to the t-shirt made by Forbidden Planet a couple of years back.

It has you wondering if there was a tad of inspiration there!


Thursday, 20 March 2014

My tailor's bookshelf

I’m often asked where I get my patterns from and for tips on how to make garments.
Since tailoring is now my full time profession I’m not at liberty to hand out the patterns I have created and refined.

But what I can show you is my bookshelf of reference material I use when I’m in need of some direction or inspiration.

I use a mixture of modern and antique books.

Many of the vintage books I have contain contemporary instruction on how to draw up frock coats, lounge jacket and waistcoats, all with that distinctive Edwardian twist.

The more modern books give me construction ideas using up to date fabrics and interfaces.

It is a mix of these two that helps me do what I do.
Here’s the full current content of my library.





The Victorian Tailor
Jason MacLochlainn - Batsford 2011







Men’s Garments 1830 - 1900
R I Davis - Players Press 1994




The Complete Photo Guide to Sewing Singer -
Creative Publishing International 2005





Grading for the Fashion Industry
Martin M Shoben & Patrick J Taylor - Sheben Fashion Media 2004




Classic Tailoring Techniques in Men’s Wear
Roberto Cabrera & Patrick Flaherty Meyers - Fairchild 1983




Tailoring: A step-by-step Guide to Creating beautiful Customised Garments - Apple 2005





Metric Pattern Cutting for Menswear Winifred Aldrich -
Blackwell Publishing 1980




Illustrated Guide to Sewing: Tailoring - Fox Chapel 2011






Shirtmaking David Page Coffin - Taunton 1998




Singer Sewing Book
Mary Brooks Picken -
McGraw-Hill Publishing 1954





Cutting and Designing for Men’s Tailoring J Cutler -
New Era Publishing




The Science of Pattern Construction for Garment Makers
B W Poole - New Era Publishing





The Modern Tailor Outfitter and Clothier Vols I to III
A A Whife - Caxton 1949





The Encyclopaedia of Sewing Techniques Wendy Gardiner - Search Press 2003





Design and Cutting Modern Leisure & Cotton Garments for Men A G Chaudhry -
The Tailor and Cutter



The Cut of men’s Clothes 1600 - 1900 Norah Waugh -
Faber and Faber 1964






Complete Guide to Sewing - Reader’s Digest 1978



The Haslam Practical Guide to Dressmaking & Tailoring
G A & F A Haslam






The Art of Garment Making
Philip Dellafera -
The Tailor and Cutter




Textile of Tailors
E Ostick - The Tailor and Cutter






The Elements of Modern Dressmaking
J E Davis -
Cassell & Co Ltd 1894


Cutting and Fitting
Principles of Tailoring Women’s Institute 1928
Tailored Garments

The Modern Tailor Outfitter and Clothier Vols I to III
A S Bridgland - Caxton 1928

Monday, 10 March 2014

Superb Herbert Johnson
fur felt fedora on eBay

I don’t often highlight items like this, since it is not screen-used, but this is a particularly fine example.

Original 1090s Herbert Johnson Fur Felt Fedoras don’t come up often - which would explain the last minute bidding frenzy that pushed this hat to almost £400!

Original 1960s’ Herbert Johnson Artist/Poet's Chocolate Fur Fedora Hat
SOLD FOR £397

This item is in great condition and is unworn. The hat stands 5 1/2" all with a 3 3/4" peak. The interior is also immaculate. All our items are genuine & all the information we have is included in description.




Wednesday, 29 January 2014

Gallifrey One 2014 -
Advanced Tailoring Techniques

Last year when I attend Gallifrey One in Los Angeles, I presented a solo panel in which I discussed and showed some of my more challenging tailoring projects.

Due to popular demand, I have been asked to do a similar panel again this year.
The premininary schedule is now out and I am down to present my panel at 4pm on Sunday 16th February 2014.

The main drive of what I shall be presenting will be British Tailoring and the art of the Frock Coat.

I have been making a lot of Frock Coats one way or another over the past 18 month so I’ve gain a lot of experience.

All of the coats have their roots in the classic Edwardian design despite their differing appearances.

I hope if you are coming to Gallifrey One you’ll come alone and join the audience - there will be Jammie Dodgers.....

If you can’t make it, or just want a good idea of what I’ll be talking about, here is a video of my panel from last year.
Enjoy.



If you a specific topic you’d like me to discuss at my panel, please mail me at tennantcoat@me.com 
with your suggestion.